Acoustic drum recording is considered by many to be an art form. Finding a balance between equipment, knowledge, patience and money that works for your project is a skill that comes with experience and time.
Being a collection of various percussion instruments, a drum kit requires different types of microphones and positioning to make one cohesive drum kit sound. Capturing a great performance is even more difficult when you’re also the one recording your drums, but there are ways to minimize your work flow and maximize your performance!
Contributed by Simon Ayton for Roland Corporation Australia
Enter electronic drums…
Recording electronic drums is simple compared to acoustic drums.
You can record almost anywhere, the kit will fit quickly into a recording space and with unlimited sound and performance possibilities, your options for creativity are increased dramatically.
When recording V-Drums, you can forget about tuning, muffling, microphone positioning, pre-amplifiers, specially designed studios, noise problems and studio hire fees, allowing you to relax, focus on the music and just play.
V-Drums are ideal for recording yourself, because their simplicity means you can focus on your actual performance, safe in the knowledge that every note is being captured perfectly. Sound decisions can always be decided later.
The aim of this recording masterclass series is to break down and simplify the process of recording electronic drums. You will be able to achieve great results, with just basic connections and knowledge.
These kits feature a combined USB Audio/MIDI port, but should you record the USB audio or the MIDI signal?
See this MIDI versus Audio article which explains the differences.
From here, we’ll jump right into combined MIDI and audio recording, as this combination offers the most flexibility and ultimately, the best sound for the final mix.
Recording MIDI and Audio
There are essentially two recording methods to use with your kit.
Method 1: Combined Audio and MIDI.
You can use the USB MIDI/Audio port separately, to record both a track of MIDI and a track of stereo audio at the same time.
Here’s how it will typically look in a sequencing program.
This first method is useful when capturing a live performance with a band, to give you instant audio playback when the module is no longer available. This method also offers editing options later, using MIDI data and any other sound source.
Method 2: Recording MIDI.
Many musicians find this second method, of capturing a MIDI performance and then adding audio later, to be an excellent procedure for studio work.
It offers both creativity in the recording process and the best control over the final sound mix.
Here are the typical steps for the second method:
1. Record your MIDI performance into your sequencing program.
2. Playback and edit the note performance.
3. Choose and tweak your ideal sounds, either from your sound module or plug-in sound library.
4. Record the resultant external audio into one or more tracks.
5. Utilize any audio effects such as EQ, compression or reverb to polish the sound.
6. Mix down the final audio as a stereo file for release.
The big advantage of working this way is that you can leave sound choices until later and just concentrate on your performance.
► KEY POINTS
- Each note of your performance can be altered if you make a mistake, or removed completely if you overplay. MIDI can also be quantized to correct timing issues. You can even change a straight feel to a swung feel for a completely new performance.
- MIDI recording also uses very little space compared to audio, so you can continue recording as many takes as you like without wasting vital hard drive space.
- Sound choices can be left until the final mixdown, once you have recorded other instrument parts to make sure that they all blend perfectly.
- Create alternate versions of the mix simply by changing the drum sounds for each mixdown. You can decide what to use later, or even cut between them. You may even want to choose different kit sounds for the verses and choruses!
- Everything is possible by recording MIDI first and audio last.
Recording Multi-channel Audio
Once you’ve edited your MIDI performance and chosen your sounds, it’s time to record the performance as audio back into your software, to be combined with other audio tracks.
If you’ve chosen drum sounds from a plug-in, the drum sounds will be mixed down automatically inside the software.
If you would like to use V-Drums sounds, now is the time to record them as audio into your software.
Record the audio signal from the analog master outputs into any audio interface, or record perfect digital stereo audio direct from the kit via the built-in USB port.
Capture the TD-11, TD-15 & TD-25 with multiple passes into separate tracks for more mixing control, using just a stereo track at a time.
Create multi-tracked drums by simply turning down the sounds, or muting the notes of instruments you don’t want to record with each new pass.
This is the way to go if you want to edit, EQ or compress the sounds in the mix, or even output the recorded tracks into separate channels of an external mixer.
Here is an example of multi-tracked V-Drums, ready to mix:
Stereo Track 1 = Kick
Stereo Track 2 = Snare
Stereo Track 3 = HH
Stereo Track 4 = Ride
Stereo Track 5 = Toms left and right
Stereo Track 6 = Cymbals left and right
Stereo Track 7 = Ambience/Reverb/FX
Now you can see the possibilities when recording with the TD-11, TD-15 & TD-25 V-Drums. Start with just the USB port and a single cable to record your MIDI and audio, or take it to the next level with multi-track recording. Either way, recording drums has never been easier.